Saturday, July 21, 2007

Plasticity


Plasticity, is an unfamiliar term when used in connection to photography. The term, as it is used in art, or specifically flat art, like photography, means there is forward and backward apparent movement because of the colors used in relation to the shapes and placement in the picture.

Piet Mondrian is a classic example of plasticity in flat art. You may recall his work by remembering the art you saw that had black lines, a yellow square and a blue square, and you thought I could have done that. What you, nor I, could have done was pre-visualize the movement created by those colors, or in other words the plasticity of the flat surface he created.

True plasticity will give you a sense of colors and shapes coming forward or off the page and others receding almost deep into the flat surface, giving it a three dimensional feel. Look at the photo above. Do you feel the green wall coming forward while the red door, surrounded by blue, feeling as though it is going deep into the page? Yes, in reality that's the way it was but remember you are looking at flat art now. This also involves the concept of refocusing, which is the sensation the viewer experiences when looking at a photo. A sensation of actually feeling your eyes refocus even though what you are looking at is actually flat. It's a hard concept to wrap the thought process around and even harder to consciously try and make photographic images that demonstrate it.

Here are a couple more I made recently. Tell me what you think, did I accomplish it? Do you see the movement?


Monday, June 11, 2007

On The Cover


I shoot for different magazines from time to time. Here's one I like especially since they put my photo on the cover. http://www.food-home.com/

Tuesday, May 15, 2007

Get Some Groceries

I recently made a new body of work. It's not complete yet but I am excited about it. People who have seen it say it speaks to commercialism and indulgence. I just thought it was interesting shapes and colors.

Now this is a case of beer.

Need to replenish your salts and hydration?

Variety is the spice of life.

Got Milk?

And cookies!

My favorite.


Tell me what you think about these.

Wednesday, May 02, 2007

Time

I recently read Stephen Shore's book "The Nature of Photography". He talks about all sorts of different things which I always understood but didn't use the same language. Things like, flatness, frame, time, and focus. Time is an interesting portion of the nature of photography. Photography is the only place where we, humans, can see time. Time is broken down into three values. Frozen time, still time and extruded time.

Frozen time is like a photograph of Michael Jordon in mid-air just about to slam-dunk a basketball. Or even that photo we have all seen of a drop of water going into some more water. You know the one. Or a bullet going through a balloon. You get the picture!

Still time is like a photograph of something that's, well, not moving, but not frozen, just sitting there. A portrait for example or a still life of fruit. Pretty easy to understand.

Extruded time is basically blur in a photograph. You've seen a waterfall taken with a long exposure and it looks all smooth and silky. It took time to make the image. Could be a half a second or thirty seconds. If it is blurred it qualifies as extruded time.

It got me thinking. Did we humans ever have the concept of frozen time or extruded time before 1839 when the invention of photography was almost simultaneously announced by Henry Fox Talbot in England and Daguerre in France. It's easy to understand the concept of still time. Almost any painting could qualify. Maybe even frozen time with paintings of an action. But extruded time or even blur, did we see it before photography could show it to us? I wonder.

I made a photo the other night, that shows extruded time. I used a classic symbol, the American Flag because it is immediately identifiable even if it is blurred or even out of focus. It's that strong of a symbol. Here it is.


Sunday, April 22, 2007

The Wine Country

Mark Gordon, (http://www.goldenticker.com/index.html) and I have known each other for over 25 years.Yesterday he came up to Santa Barbara and we did a little wine tasting at the Santa Barbara County Vintner's Festival.

I had a small point and shoot digital camera with me and I made this photo at the Melville winery. http://www.melvillewinery.com

For your tasting pleasure.

Tuesday, March 20, 2007

Communication Arts

I have submitted these photos for the photo annual of Communication Arts Magazine.




CA as it is called in the industry is a premier trade magazine for the advertising, design, photography and illustration business.

Tuesday, December 26, 2006

Working Inside The Box

I have always felt working with boundaries makes the creative process easier. Face it, if someone asks you to make a photo of anything you want, where do you start? But, if someone says make a picture that has these ideas in them you now have that place... to start.

It’s what comes after, which takes you beyond the box.

TEXTURE

Recently I was given some boxes to fill. Simple boxes like shape, line, and texture. Having improvisational acting experience I understand the power of a one word suggestion.

Friday, December 15, 2006

New Work

Here's some new work I have been doing since my last post.

Enjoy.




Wednesday, September 06, 2006

Hauntings


I see photographs in my head that haunt me. I dream about them. Then one day I will be compelled to just go out and make it. Like this one.

Sunday, June 25, 2006

I live golf


Today I won my flight in the club championship at the Montecito Country Club, where I am a member. In a two day total score (less my handicap) I shot a 137.

Today was a great day.

Wednesday, June 21, 2006

Series


I have been creating photos in series. One titled "Santa Barbara Succulents", is exclusively shot here. I have had 2 one-man shows with this work. . The first gallery, in Beverly Hills, sold 8 pieces. The second, here in Santa Barbara didn't have a single sale. It erodes my confidence. I know this work has legs from the response people give it.
SUCCULENT #4801
40" x 43.7"





I'm new to the "fine art" arena and while it seems to be a more receptive audience to cold calls and unsolicited mailings there is still all the fear associated with putting yourself out there. One big difference is, I'm not selling the invisible. I'm selling a tangible finished product. Take it or leave it, like it or not. Different mindset.
SUCCULENT #1932
40" x 44.9"










This succulent work came out of an absolute need, for me, to make photographs. Something inside me forced me out the door to push the button on the camera. I pushed the button many times before really looking at the film. But once I started to see the photos I had made from my heart and gut I knew I had something special.
SUCCULENT #10740
40" x 54.1"






Each piece is large. 40 inches is the smaller dimention. One, the best seller, is almost seven feet long. (not pictured)

Let me know what you think of these.

Tuesday, June 20, 2006

Final Exams

I teach basic photography. Yep that's right PHO101 at Brooks Institute here in Santa Barbara.

Yesterday was the final exam for my classes. For me that is the most boring class of all. I get to sit in front of the class like some policeman making sure no one cheats. It's quiet. All I hear is pencils coloring in scantron slips and the shuffle of papers as each student turns to the next page of the 100 question exam.

Some finish in less than an hour and others take over two hours.

Frankly, I would rather talk about their photos and how they feel about them. But testing seems to be the only way to measure students.

I think the photographic education and training the students are getting today is far superior to what I got when I was in school. So I got to thinking. Didn't I still have a photo or two from my first days at school?





I think I was shooting the Shape, Line and Texture assignment. Still the same today, it's a classic assignment. I mean what photographer doesn't consider shape line and texture in every photo we make.

Sunday, June 18, 2006

Father's Day


Today is Father's day. I got calls from my children and I called my father. These are some photos of my father that I have made over the years.

This one where he is all in yellow was on a trip to Greenland around 1993.



Where he is all in white with a red tie was on January 1st 1987. He is getting ready to ride in the Pasadena Tournament of Roses as the Mayor of Pasadena.




The third one I shot way back when I got my first SLR camera. In this photo he is just about what my age is now.

Through my children I discovered he is and has always been consistent. When I realized that a few years ago I found a time to tell him, I love you, dad.